University of Westminster architecture student James Gardener has designed this conceptual bridge for the River Thames, London, made from a series of floating elements that would be linked together and free to move with the tide.
Showing posts with label Architects. Show all posts
Showing posts with label Architects. Show all posts
The Project is the result of the dream of two families. The architect´s family and his sister´s family. Each one composed by four members, father, mother and two small child.
Twin Houses by Felipe Gonzalez-Pacheco
PROGRAM:
Grand Theatre, Multipurpose Theatre, Amphitheatre
Rabat Grand Theatre. Zaha Hadid Architects.
For 20 years, is "Foger Pure Woman" among the leading fashion houses in Austria. This is the work of its reliable and Midi Föger feel for styles and trends. In the 15,000-strong community Telfs in Tyrol offers its customers designer fashions from the world's major cities.
Now they are surprised with a startling and new construction of their headquarters. The Swiss architect Reto Pedrocchi expanded the fashion house is a dome-shaped building that houses the collections of new and promising fashion designers like Alexander Wang (New York) and Peter Pilotto (London).
This is their peculiar way Midi Föger continued spectacular: "First-class fashion requires a first class sales framework", said the owner of Pure Woman Föger their concept. In Reto Pedrocchi they found an architect who is their bold ideas is a perfect setting. With its 140 m2 large production, he created a new landmark in the 15,000-strong community Telfs.
This architecture should stand out, "said the Basel architect. Despite his young age (born 1973), he looks back on an impressive list of buildings. Reto Pedrocchi worked for the world-renowned architectural firm Herzog & de Meuron as a project manager at the glass Prada flagship store in Tokyo, designed with his former partner Beat Meier for the common architectural firm Pedrocchi Meier Architects in countries such as China and Davos.
For the avant-garde Japanese label Comme des Garcons designed the Basel architects two so-called "guerrilla stores". Another highlight is the participation in a project of the Chinese artist Ai Weiwei. In Inner Mongolia, Reto Meier Beat Pedrocchi planned with one of 100 villas which will be implemented in 2011. Since completion of the expansion of the fashion house Föger in Pedrocchi Meier Architects, Reto Pedrocchi now runs his own architectural firm, Architects Pedrocchi, in Basel.
The fashion house "Föger Pure Woman" directed by the architect as a place of innovation and contemplation. A partial forward tilted glass wall extends over the entire complex and combines the old with the new upstream. This is held ostensibly calm, sober materials such as raw concrete and glass contrast with a natural stone floor in warm colors and a light emitting security concept.
The new extension is a modern place of pilgrimage, "says the architect. Focal point in the interior is an intersecting concrete beam that runs through the 7.3 meters high dome-like structure made of glass and concrete half way up. At his oversized coat hook hanging from metal. "I wanted to in the presentation of fashion new ways," said Midi Föger.
Ever since she took over the fashion house in 1988 as a sole proprietor of her father, she is the creme de la creme of international fashion. Since the beginning of her career she sells. Design by design legends such as Miuccia Prada, Ann Demeulemeester and Dries Van Noten. On the occasion of the renovation of her fashion house, she is now expanding its product line with a number of international newcomer: "Young women 35-50 draw today for fashion not as deep in the pocket.
In design and quality, but still want to make any compromises. "Midi Föger provides you with the creations of the American Shooting Stars Jason Alexander Wang and Wu, the Briton Christopher Kane or the Tyrolean it-designer Peter Pilotto fashion that you hardly ever in Austria gets.
Style, Midi Föger believes is not a question of age or income. It should also be in the future success of their spectacular Tyrolean house.
Now they are surprised with a startling and new construction of their headquarters. The Swiss architect Reto Pedrocchi expanded the fashion house is a dome-shaped building that houses the collections of new and promising fashion designers like Alexander Wang (New York) and Peter Pilotto (London).
This is their peculiar way Midi Föger continued spectacular: "First-class fashion requires a first class sales framework", said the owner of Pure Woman Föger their concept. In Reto Pedrocchi they found an architect who is their bold ideas is a perfect setting. With its 140 m2 large production, he created a new landmark in the 15,000-strong community Telfs.
This architecture should stand out, "said the Basel architect. Despite his young age (born 1973), he looks back on an impressive list of buildings. Reto Pedrocchi worked for the world-renowned architectural firm Herzog & de Meuron as a project manager at the glass Prada flagship store in Tokyo, designed with his former partner Beat Meier for the common architectural firm Pedrocchi Meier Architects in countries such as China and Davos.
For the avant-garde Japanese label Comme des Garcons designed the Basel architects two so-called "guerrilla stores". Another highlight is the participation in a project of the Chinese artist Ai Weiwei. In Inner Mongolia, Reto Meier Beat Pedrocchi planned with one of 100 villas which will be implemented in 2011. Since completion of the expansion of the fashion house Föger in Pedrocchi Meier Architects, Reto Pedrocchi now runs his own architectural firm, Architects Pedrocchi, in Basel.
The fashion house "Föger Pure Woman" directed by the architect as a place of innovation and contemplation. A partial forward tilted glass wall extends over the entire complex and combines the old with the new upstream. This is held ostensibly calm, sober materials such as raw concrete and glass contrast with a natural stone floor in warm colors and a light emitting security concept.
The new extension is a modern place of pilgrimage, "says the architect. Focal point in the interior is an intersecting concrete beam that runs through the 7.3 meters high dome-like structure made of glass and concrete half way up. At his oversized coat hook hanging from metal. "I wanted to in the presentation of fashion new ways," said Midi Föger.
Ever since she took over the fashion house in 1988 as a sole proprietor of her father, she is the creme de la creme of international fashion. Since the beginning of her career she sells. Design by design legends such as Miuccia Prada, Ann Demeulemeester and Dries Van Noten. On the occasion of the renovation of her fashion house, she is now expanding its product line with a number of international newcomer: "Young women 35-50 draw today for fashion not as deep in the pocket.
In design and quality, but still want to make any compromises. "Midi Föger provides you with the creations of the American Shooting Stars Jason Alexander Wang and Wu, the Briton Christopher Kane or the Tyrolean it-designer Peter Pilotto fashion that you hardly ever in Austria gets.
Style, Midi Föger believes is not a question of age or income. It should also be in the future success of their spectacular Tyrolean house.
Foeger Woman Pure. Pedrocchi Architekten
Amsterdam UNStudio architects have completed this department store in Cheonan, South Korea.
Call Centercity Galleria, the building facade is composed of two layers of foil, creating a moiré effect.
Animations and light patterns projected from the skin at night.
Daylight is admitted through the front and is reflected throughout the interior of all white redoubt of the need for artificial lighting.
The areas of the department store has been earmarked for cultural programming such as exhibitions and fashion shows.
More information about the UNStudio in dezeen »
Pictured above is Kim Yong-kwan
The pictures are from Christian Richter / View unless otherwise noted.
The following information is UNStudio:
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Ben van Berkel / UNStudio Centercity Gallery in Cheonan - "If museums are becoming supermarkets, why should the big stores do not become museums?"
"The Galleria Cheonan responds to the current retail situation in Asia, where large stores also operate as social meeting places and semi-cultural. Because of this, the quality of public spaces within the building was treated as an integral aspect design. "Ben van Berkel
Pictured above is Kim Yong-kwan
Eye Shopping - Re-conquest of the public domain within a shopping destination
Centercity UNStudio Gallery stores in the Korean city of Cheonan claims the social and cultural space within the private, commercial large-scale department areas.
Rather than being the result of a prescriptive approach, ground rules, the Galleria Centercity design is based on observations of current trends in the behavior of large commercial spaces. Particularly in Southeast Asia, the stores are largely a function of social, people gather, meet, eat, drink and both store and window shopping in these places. The department store is no longer just a commercial space, which now offers architects the opportunity to leverage and extend the social and cultural experience for visitors. If today we see the museum as a supermarket, then we are also looking at the department store as a museum.
A broader interpretation services beyond the efficiency and profitability is at the center of the design. In view of this, along with a more varied UNStudio design aims to provide a stimulating experience for visitors.
Pictured above is Kim Yong-kwan
On the outside, this translates into an appearance that is almost impossible to fix. The dual-layer facades are articulated in a trompe l'oeuil pattern of the vertical. The vertical lines on the facade of the building scale illegible, "contains three floor levels, or fifteen years? Inside, this work with the scale and scope is still in a way that is at least as radical as the exterior. Upon entering, the department store space is revealed as a layered and varied which promotes research and develops as they move through and into the building.
Programming, Cheonan Galleria incorporates a number of cultural and public spaces, including an art and a cultural center and a VIP room. In the basement, a food court and supermarket are special destination other than inside the building, which is both integrated with the global design strategy.
Pictured above is Kim Yong-kwan
New Cheonan-city development as a platform for innovation
Located about 80 kilometers south of Seoul, Cheonan is well connected to the capital by train and road, with a new high-speed rail link has recently completed. The area around the terminal high speed again under development and - very visible from the main road - the Galleria Centercity marks the entrance to this area of new development.
"The interesting thing for me about the effect of Cheonan Galleria is that, due to the organization of the atrium and moiré treatment of the facade, creating illusions that lead to the apparent alteration of the scales and imaging doubles. No image is permanent in this building. "Ben van Berkel
Flow dynamics and large-scale optical illusion
The main theme of architecture for the Cheonan Galleria is the dynamic flow. This is found both inside and outside. The architecture of the building of 66,000 m ² responds to its central position, looked deliberately changing versatile. moiré effects, special lighting and animations to ensure that the appearance was constantly changes.
The double-layer facade enclosing the building with a number of strategic openings incorporated into the interior facade layer. These openings provide natural light inside. At the same time, the exterior sheet to prevent direct sunlight entering the building, ensuring a cooler environment, while the use of white on the inside finish minimizes the need for artificial lighting.
The interior derives its character from the accumulation of rounded plateaus in long columns. The repetition of the curves, enhanced by the spiral strip lighting in the ceilings of the platforms, gives the interior its distinctive character. Stacked four clusters, each comprising three storeys and containing public plateaus are linked to the central vacuum. This organization promotes fluid flow upstream of the people through the building from the atrium floor to the roof. In the lands are placed on a rotating basis in the space, allowing the central area to cover to find the way, the vertical movement, guidance and act as main attraction of the department store. The spatial and visual connections in space have been designed to generate a lively and stimulating environment in which the user is essential.
front of the media - The largest illuminated surface of its kind in the world
The strategy of building the box is to create an optical illusion. During the day the building has a reflective black and white look, while light colors at night are used to generate light waves of color on the illuminated surface of a large scale. The lighting design was done in parallel with the architecture and leverages the structure of the double-layer facade. Computer-generated animations specially designed by UNStudio are incorporated into the lighting design and relate to issues related to the department store, such as fashion, events, art and public life.
Put the brand - not the brand name
Instead of creating a platform for an effect of fence consists of multiple individual brand identities, the thematic content of animating the facade of fully integrated media provides a more comprehensive urban and brand-oriented site.
UNStudio
Design Team: Ben van Berkel, Astrid Piber Gijzen with Germany, Herschel Marc and Marianthi Tatari, Sander Versluis, Albert Gnodde, Lonkwitz Jorge, Tom Minderhoud, Jae-Young Lee, Seung-June Woo, BOINC Constantin, Lin Yu-chen
Interior: Ben van Berkel, Astrid Piber with Germany Gijzen, Cristina and Veronica Bolivar Barahona, Jae-young Lee, Felix Lohrmann, Kirsten Hollmann, Albert Gnodde, Martijn Prins, Lonkwitz Joerg, Cimenti Malaica, Licht Flores, Guillermo de Boer, Eelco Grootjes Alexia Koch
EXECUTIVE ARCHITECT / SITE MONITORING / landscape architect
GANSAM and Associates Architects, Seoul, KoreaI
Pictured above is Kim Yong-kwan
An expanded interpretation of utility beyond efficiency and profitability is at the heart of the design. In view of this, along with a more varied programme, UNStudio’s design seeks to provide a stimulating experience for the visitor.
Programmatically, the Galleria Cheonan incorporates a number of cultural and public spaces, including an art and cultural centre and a vip room. In the basement, a food court and specialty supermarket constitute another distinct destination within the building, which is simultaneously integrated with the overall design strategy.
Cheonan – New city development as platform for innovation Situated some 80km south of Seoul, Cheonan is well connected to the capital by railway and road, with a new high speed rail link having recently been completed. The area around the new high speed terminal is under development and - prominently visible from the main road - the Galleria Centercity marks the entrance to this new development area.
Place branding – not name branding Rather than creating a platform for a multiple billboard effect made up of individual brand identities, the thematic animated content of the fully integrated media façade facilitates a more holistic and site-oriented urban approach to branding.
Galleria Centercity. UNStudio
Reiser + Umemoto (RUR) was awarded first prize in the international competition for a new cruise port and service center in Kaohsiung, southern Taiwan, Republic of China.
First prize in the Kaohsiung Port Terminal. Reiser + Umemoto.
The nose is a piece of nature built with earth, filled with air. A space within a rock sitting on the floor and mixed with the territory.
Is camouflaged, by emulating the processes of formation of minerals in its structure, and integrates with the natural environment, respecting their laws.
We made a hole in the ground, accumulating in its scope the topsoil removed, obtaining a retention dam without mechanical consistency.
Then materialized air volume building with bales of hay and filled the space between earth and air added to solidify. The mass concrete poured and protected air wrapped itself with the ground. Time passed and takes away the land to discover an amorphous mass.
The earth and concrete properties exchanged. The land provided the concrete texture and color, form and essence, and the land has given concrete strength and internal structure. But what he created was not yet the architecture, which had developed a stone.
We made some cuts quarry machinery to explore the nucleus and discovered his body inside built with straw, now compressed by hydrostatic pressure exerted by the concrete plant structure weak.
To empty the inside, the calf was Paulina, and enjoyed the 50m3 of the best food, which is fed by a year until she came out of their habitat, and as an adult and a weight of 300 kilos. She had eaten the interior volume, and the space appeared for the first time, the restoration of the architectural condition of the nose, having been a haven for animal and plant mass for a long time.
The architecture we were surprised. Its ambiguity between natural and built, the complex materiality the same building element, the mass unreinforced concrete, could provide the young architectural space at different scales.
Since the amorphous texture of its exterior, with the incision cut violent revealing its architectural vocation, leading to the expression of the solidification of the liquid inside the concrete.
This dense material, which gives the scale vertical walls padded, comes from the size of bullets, and contrasts with the continued liquidity of the roof that evokes the sea, frozen in the doorway of the spatial structure which is sublime to the Atlantic Ocean highlighting the horizon as the only line of interior space weather.
To provide the space with all the comfort and living conditions required in the architecture, we take the "Cabanon" Le Corbusier as a reason, recreating its program and its dimensions. It is the "Cabanon de Beton" the reference in a pleasant nose in nature, which has inspired and referred us.
And the lesson we learn is the uncertainty that led us in the desire to build with our own hands, a piece of nature, a contemplative space, a little poem.
Photographer Roland Halbe.
This is a home in Spain by Anton Garcia-April of the Ensemble Studio, issued on the ground and emptied by a cow.
Called Truffle (truffle), the project consisted of pouring concrete into bales of hay stacked and buried within the surrounding soil.
Once cured, the resulting shape was exhumed and cracked.
A cow (called Paul) is then allowed to eat away the rest of bales of hay to reveal the interior space in the course of a year.
Project: Truffles
Location: Costa da Morte, Spain
Project Date: August 2006
End of construction: February 2010
Project Author: Antón García-Abril
Collaborators: Ricardo Sanz
Rigger: Javier Cuesta
Developer: Ensemble Studio
Collaborating companies: Tonga and banded Sorrowful, SL, Galicorte, Demolition Macías, Zurich Supplies, Paulina Livestock.
Project Manager: Francheteau
Floor area: 25 m²
Is camouflaged, by emulating the processes of formation of minerals in its structure, and integrates with the natural environment, respecting their laws.
We made a hole in the ground, accumulating in its scope the topsoil removed, obtaining a retention dam without mechanical consistency.
Then materialized air volume building with bales of hay and filled the space between earth and air added to solidify. The mass concrete poured and protected air wrapped itself with the ground. Time passed and takes away the land to discover an amorphous mass.
The earth and concrete properties exchanged. The land provided the concrete texture and color, form and essence, and the land has given concrete strength and internal structure. But what he created was not yet the architecture, which had developed a stone.
We made some cuts quarry machinery to explore the nucleus and discovered his body inside built with straw, now compressed by hydrostatic pressure exerted by the concrete plant structure weak.
To empty the inside, the calf was Paulina, and enjoyed the 50m3 of the best food, which is fed by a year until she came out of their habitat, and as an adult and a weight of 300 kilos. She had eaten the interior volume, and the space appeared for the first time, the restoration of the architectural condition of the nose, having been a haven for animal and plant mass for a long time.
The architecture we were surprised. Its ambiguity between natural and built, the complex materiality the same building element, the mass unreinforced concrete, could provide the young architectural space at different scales.
Since the amorphous texture of its exterior, with the incision cut violent revealing its architectural vocation, leading to the expression of the solidification of the liquid inside the concrete.
This dense material, which gives the scale vertical walls padded, comes from the size of bullets, and contrasts with the continued liquidity of the roof that evokes the sea, frozen in the doorway of the spatial structure which is sublime to the Atlantic Ocean highlighting the horizon as the only line of interior space weather.
To provide the space with all the comfort and living conditions required in the architecture, we take the "Cabanon" Le Corbusier as a reason, recreating its program and its dimensions. It is the "Cabanon de Beton" the reference in a pleasant nose in nature, which has inspired and referred us.
And the lesson we learn is the uncertainty that led us in the desire to build with our own hands, a piece of nature, a contemplative space, a little poem.
Photographer Roland Halbe.
This is a home in Spain by Anton Garcia-April of the Ensemble Studio, issued on the ground and emptied by a cow.
Called Truffle (truffle), the project consisted of pouring concrete into bales of hay stacked and buried within the surrounding soil.
Once cured, the resulting shape was exhumed and cracked.
A cow (called Paul) is then allowed to eat away the rest of bales of hay to reveal the interior space in the course of a year.
Project: Truffles
Location: Costa da Morte, Spain
Project Date: August 2006
End of construction: February 2010
Project Author: Antón García-Abril
Collaborators: Ricardo Sanz
Rigger: Javier Cuesta
Developer: Ensemble Studio
Collaborating companies: Tonga and banded Sorrowful, SL, Galicorte, Demolition Macías, Zurich Supplies, Paulina Livestock.
Project Manager: Francheteau
Floor area: 25 m²
Trufa house. Anton García-Abril
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